Will’s Stealth Commuter Bike

Will's handmade SMITHY stealth commuter bike

When Will asked me to design and build him a bike, one of the first things he said he wanted was to have a bike that looked a bit drab and rusty (basically so that it wasn’t an immediate target for someone looking for a free ride). At the time, I was trying to build up the quality and finish of the SMITHY brand, so my initial reaction was one of frustration. In the end, I thought I had failed to achieve what he wanted. As soon as I had patinated the nickel-plated frame, it was immediately my new favourite finish.

Will has since told me that it seems to have worked both ways. When he pulls up at a set of lights, he often notices people doing a double-take. 

First, the casual glance with no immediate impact, then the, Hang on a minute did I see that right?.

Anyway, here are Will’s words on the whole process: 

“Having worked with Chris on quite a few architectural metalwork projects, including the extraordinary outside seating installation for Spiritland in Kings Cross which Chris designed and built, I had some first-hand knowledge of his creativity and truly sublime skill. So, when he told me that he was going to start making bespoke steel bike frames, I immediately knew that I had to have one. 

I had a pretty clear brief of what I wanted; a bulletproof, low maintenance, fast and nimble hybrid bike, that would withstand the elements and also not attract too much attention in Central London. A wolf in sheep’s clothing.

After exchanging images and ideas by email and phone, I met up with Chris when he was in London, and we spent a few hours in his sister’s kitchen in Wanstead, where he had set up a mobile measuring rig, with a suitably sized bike on a stand and a laser level. 

Things were getting exciting.

Over the next few weeks, there was an ongoing and very thorough conversation about how this bike was going to look and work. It was a collaboration of ideas, expertly led by Chris. 

We eventually decided that the bike was going to be set up like an urban hybrid bike, but with a hint of something close to a BMX. For low-maintenance, it was going to have a Shimano Alfine 11 hub, driven by a Gates carbon belt. Hydraulic disk brakes were also included in the design, along with a Renthal riser handlebar - to suit its BMX aspirations. 

Things were getting very exciting. 

It wasn’t long before images of tubes and parts, in various stages of assembly, would arrive in my inbox and, it became quickly clear that this bike frame was going to be a thing of beauty, a sight to behold. As the build progressed, further design dilemmas presented themselves; How was this frame to be finished? Did sufficiently beautiful mudguards exist in this world that could comfortably sit over the tubeless 27.5 inch tyres? What saddle could befit this bike? 

For the frame finish, Chris suggested a nickel plate with a black patina, which, like all his previous suggestions, was a perfect fit; subtle but sleek. He also sourced some outrageously cool mudguards, made from real wood veneer faced ply along with stainless steel ironmongery. We chose a Brooks C17 saddle, a stylish and modern take on their more traditional versions, for comfort and weather resistance.

Sometime later, photos of an assembled bike landed in my inbox, and we set a date to meet in London, for me to pick it up. In the time between, I constantly poured over the photos, trying to get closer to the magnificent object in it; studying every detail, trying to imagine what it was going to be like in the flesh, well…steel.

I really wasn’t ready for how I was going to feel about this bike. I’m not someone who gets attached to cars, watches or objects in general. 

But this is different. 

This is special.

The pleasure I get from riding it is intense; I often catch my self grinning from ear to ear as I silently glide through the streets of London on my made-to-measure transport. The pleasure I get from looking after this bike even the ritual of filling the tubeless tyres with a syringe of latex solution to then witness the sorcery when the tyre self-seals after a puncture, also has a visceral quality. 

I love this bike. Thank you, Chris.”

Will on his handmade stealth commuter bike

Will told me later that the three best things about his year were the Spiritland Seating, his bike, and his bike.

Thank you, Will, for giving me the opportunity.

Designing & Building a Cargo Bike for an Adventurous Oil Painter

SMITHY Frameworks 'Plein Air' Cargo Bike in the Swiss Apls

THE BRIEF

Dan wanted to be able to ride up the Alps, paint a landscape or two in oil paints and then ride back down.
Sounds simple enough, you might think.
But to support Dan’s adventures as a landscape painter living in the Swiss Alps, the criteria was slightly more complex than I originally anticipated – Dan needed a Cargo bike to carry a canvas up to 850mm x 500mm with wet oil paint on it, along with an easel, his brushes, painting box, jars of oil, warm clothes, a sun hat, and, of course, a hearty lunch.
Dan also specified that as well as the bike being able to support his plein air painting he’d like to be able to go for a spin on the local singletrack on it as well.

THE BIKE

  • A Rohloff boost spacing hub sorted out the gearing. A low maintenance solution, with a long life span and a clean look.

  • Shimano hydraulic 180mm discs for stopping all that kit safely.

  • An SQ Lab handle bar with 16 degree back sweep to get his hands in a relaxed position, without loosing any control.

  • Electrical assistance is provided by a Cytonex front wheel.  Three customisable power levels via an online app.  A simple solution to getting all the kit up the steepest alpine tracks.  It can also quickly be switched for a standard Hope front wheel when you want to get back to basics.

  • The wheels were all hand built by Strada wheels and  come with great after care service.

  • Fillet brazed tubing is a mixture of Reynolds 853 and Columbus Zona. Head tube courtesy of Bear frame supplies and rear dropouts by Paragon Machine Works

  • The extremely tough ceramic coating will keep the frame looking great for years to come.

THE BAGS

My initial thoughts were, that a friend of mine–who had started making bike bags– would make the panniers for me. The problem was, his studio is in Portsmouth (about a 7 hour round trip), and what I really wanted was to make the bags fit the panniers whilst they were fitted to the bike, so that any problems could be seen and fixed straight away. Also, time was running out as Dan was heading back to Switzerland, and hoping to take the finished bike and kit with him.

Enter Loz, my workshop neighbour who makes Yurts. Chatting one day I noticed he had made a rucksack for himself from Yurt cloth off-cuts. It turns out that waterproof Yurt canvas is really tough and ideal for making waterproof panniers. Yurts are pretty big, which means the offcuts tend to be a useful size.
Using these really appealed to my ethos for reducing waste, and Loz had the skills and equipment to put together the prototypes.

Whilst Loz was away over the Christmas break we had to make a few adjustments to the rucksack pannier… Enter Tom, a neighbouring upholsterer who helped iron out the teething problems with time left for a cup of tea before loading everything into Dan’ s very full van and waving him off.
Nothing like taking it to the wire!

THE ADVENTURE

“You might not think that a bespoke bicycle and painting have much to do with each other, but this bike changes everything. I have been painting ‘en plein air‘ for a few years with an idea in the back of my mind. Often painting in the mountains I would arrive at the top, tired and wishing I could stay and start another canvas without having to walk back down, then up again. I really wanted to design a bike to make this possible.  A few years later this project has finally been realised with the help of Chris, who has designed and built me a bike from scratch. It does everything I need, want and more”.

SMITHY Frameworks Painter's Bike carrying Dan Yeoman's kit in the Swiss Alps

THE OUTCOME

The original plan was to ski tour up the hillside, but the snow cover this winter is quite thin so the snowy road remains usable on bike. In the photo below you can see where the road ends. I leave my bike here and walk the rest through the snow.  The second photo shows the easel and painting in progress (which all goes in my backpack) so I can take what I need and remain all day on the mountainside.  I like to work on various paintings throughout the day as the light changes so after each session the canvas is packed back in it’s box keeping it safe from snowfall, dust and any passing dogs that might be feeling territorial!  At the end of the day it all gets packed back on the bike and then I just have to survive the snowy ride back to the chalet.

Daniel Yeomans Landscape Painting in the Swiss Alps